Wednesday, 15 May 2013


Olympus streamlinesits pretty PEN E-P5



Normally a two-year product cycle isn't that much for a camera targeted at advanced photographers. But in a field where technology mutates as quickly as it does for advanced interchangeable-lens cameras, that's a long time. So at 1.5 years since the E-P3, it feels like it's taken just a little too long for the PEN E-P5's debut, especially given the relatively catch-up feature set of the new model.
Not that there's anything wrong with the updates in the E-P5; there's plenty here that probably makes it a better camera. The most noticeable is the new design, still retro but based off the PEN F film camera this time. It's quite attractive, especially in the black and silver, though it comes in the same off-white and camel and all-black of the previous model.
Much of the control layout has been changed and seems both more traditional, with front and a back dials, as well as more streamlined with increased customizability. I like most of the changes; the one notable exception is probably the shallow fixed grip. On the E-P3 you had the ability to easily replace the shallow grip with a more pronounced one.
Olympus' also takes an interesting approach to wireless connectivity, incorporating QR codes for quick Wi-Fi setup rather than NFC. When you bring up the connection on the camera it presents a QR code that you capture with the OI.Share app on your phone, and the app automatically configures the connection. It's a clever, inexpensive solution to the setup problem, as long as you only want to connect your camera to the phone.
Olympus' new EVF.
(Credit: Olympus America)
Other important enhancements include the same AF system as the OM-D E-M5, with some more performance optimization with Four Thirds lenses (the E-P3's overall performance is pretty good, though); the same image-stabilization system and sensor as the E-M5, though hopefully with tweaked image processing; a tiltable touch screen; broader scene analysis in auto mode; and 1080/30p video. The camera also gains focus peaking and a smaller spot AF and the Photo Story feature introduced in the XZ-10 (it lets you select different aspect ratios of photos to shoot, which the camera automatically loads into a multiphoto template). Plus it offers time-lapse and intervalometer options.
Olympus also rolled out black versions of its high-quality f1.8 primes (17mm, 45mm and 75mm) and a new electronic viewfinder (EVF), which is included in a kit with the 17mm lens; it's bigger, higher-resolution, and adds an eye sensor.
Here are some of the E-P5's current competitors:
 Fujifilm X-E1Olympus PEN E-P3Olympus PEN E-P5Olympus OM-D E-M5Samsung NX20Sony Alpha NEX-6
Sensor (effective resolution)16.3MP X-Trans CMOS
n/a
12.3MP Live MOS
12 bits
16.1MP Live MOS
12 bits
16.1MP Live MOS
12 bits
20.3MP CMOS
n/a
16.1MP Exmor HD CMOS
n/a
23.6mm x 15.6mm17.3mm x 13mm17.3mm x 13mm17.3mm x 13mm23.5mm x 15.7mm23.5 x 15.6mm
Focal-length multiplier1.5x2.0x2.0x2.0x1.5x1.5x
Sensitivity rangeISO 100 (expanded)/ 200 - ISO 6400/25600 (expanded)ISO 200 - ISO 12,800ISO 100 (exp)/200 - ISO 25600ISO 200 - ISO 25600ISO 100 - ISO 12800ISO 100 - ISO 25600
Continuous shooting6fps
n/a
3.0 fps
unlimited (LN) JPEG/17 raw
4.5-5fps (lens dependent, IS off)
70 JPEG/20 raw
(9fps with fixed AE/AF, no IS)
9fps
17 JPEG/11 raw
8fps
11 JPEG/8 raw
3fps
11 raw/15 JPEG
(10fps with fixed exposure)
ViewfinderEVF
0.5-inch
2.36 million dots
100% coverage
n/a
Optional plug-in articulating EVF
1,440,000 dots
0.58x
Optional EVF
n/a-inch
2.36 million dots
100% coverage
1.48x/0.74x
EVF
n/a-inch
1.44 million dots
100% coverage
1.15x/0.58x
OLED EVF
n/a-inch
480,000 dots
100% coverage
1.04x/0.69x
OLED EVF
0.5-inch
2.4 million dots
100% coverage
1.09x/0.73x
Hot shoeYesYesYesYesYesYes
Autofocus49-area
Contrast AF
35-area contrast AF35-area contrast AF35-area contrast AF15-point contrast AF99-point phase detection, 25-area contrast AF
AF sensitivity rangen/an/an/an/an/a0 - 20 EV
Shutter speed30-1/4,000 sec.; bulb to 60 min; 1/180 x-sync60-1/4000 sec; bulb to 30 minutes60 - 1/8000 sec; bulb to 30 minutes; 1/250 sec x-sync
(FP to 1/4000 sec)
60-1/4,000 sec.; bulb to 8 minutes; 1/250 sec x-sync (flash-dependent)30-1/8000 sec.; bulb to 4 minutes; 1/180 x-sync30-1/4,000 sec.; bulb; 1/160 sec x-sync
Metering256 zones324 area324 area324 area221 segment1,200 zones
Metering rangen/a0 - 20 EV0 - 20 EV0 - 20 EV0 - 18 EV0 - 20 EV
FlashYesYesYesIncluded add-onYesYes
Wireless flashNoYesYesYesNoNo
Image stabilizationOpticalSensor shiftSensor shiftSensor shiftOpticalOptical
Video1080/24p H.2641080/60i AVCHD @ 20, 17Mbps; 720/60p @ 13Mbps1080/30p @ 20Mbps H.264 QuickTime MOV1080/60i QuickTime MOV @ 20, 17Mbps1080/30p; 1080 x 810/24p; 720/30p H.264 MPEG-4AVCHD 1080/60p @ 28, 24Mbps, 1080/ 24p @ 24, 17Mbps, 1080/60i @ 17Mbps; H.264 MPEG-4 1440 x 1080/30p @ 12Mbps
AudioStereo; mic inputStereo; mic inputStereo; mic inputStereo; mic inputStereoStereo; mic input
LCD size2.8-inch fixed
460,000 dots
3-inch fixed OLED
614,000 dots
3-inch tilting touch-screen LCD
1.04 million dots
3-inch tilting touch-screen OLED
614,000 dots
3-inch articulated AMOLED
921,000 dots
3-inch tilting touch screen
921,600 dots
Wireless connectionNoneOptional via BluetoothWi-FiNoneWi-FiWi-Fi
Battery life (CIPA rating)350 shots330 shots330 shotsn/a330 shots270 shots
(with viewfinder)
Dimensions (inches, WHD)5.1 x 2.9 x 1.54.8 x 2.7 x 1.44.8 x 2.7 x 1.54.8 x 3.5 x 1.74.6 x 2.5 x 1.44.8 x 2.8 x 1.1
Body operating weight (ounces)12.4 (est.)13.014.8 (est)15.114 (est)12.3
Mfr. price$999.95 (body only)n/a$999.99 (body only)$949.99 (body only)n/a$749.99 (body only)
$1,399.95 (with 18-55mm lens)$899.99 (with 14-42mm lens)n/a$1,199.99 (with 12-50mm lens)$1,099.99 (with 18-55mm i-Function lens)$899.99 (with 15-60mm PZ lens)
n/a$899.99 (with 17mm lens)$1449.99 (with 17mm lens and VF-4 EVF)$1,099.99 (with 14-42mm lens)n/an/a
Ship dateNovember 2012August 2011May 2013April 2012May 2012October 2012
While the Sony Alpha NEX-6 isn't as eye-catching, it's cheaper and a pretty strong competitor, with a bigger sensor. Furthermore, if you're going to add the optional EVF, you might as well get the E-M5, which has the extra weather sealing and has better continuous-shooting for roughly the same body-only price.
The E-P5 looks nice and will probably be a fine camera, but unless you're buying primarily on looks it doesn't have any competitive edge that I can think of. Then again, a good-looking camera, especially one bundled with one of Olympus' better lenses, might pull it off.




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